Watch "Annette" online, now available on Amazon Prime Video, and you may see Adam Driver at his quirkiest. The film has one of the most tripped out trailers of all time and will have you wondering, "What the hell is this?" you will wonder. The film debuted at the 2021 Cannes Film Festival to a standing ovation.

Driver plays Henry McHenry (really), a stand-up comedian who falls in love with world-renowned opera singer Anne (Marion Cotillard). The passionate and flamboyant couple eventually have a daughter, Annette, played by a wooden marionette doll.

However, as Annette began traveling and singing around the world, Henry's career began to falter and his marriage fell apart. After a tragedy, Annette develops a mysterious ability that surprises her father and the world.

Here's everything you need to know about how to watch Annette online.

If you are stuck overseas (in a country where Annette is not streaming), you will likely encounter geofence restrictions regarding the platforms and services you can use. However, with the help of a virtual private network (VPN), you can watch all the services you have already paid for, wherever you are.

Based on our testing, the best VPN is ExpressVPN, which is easy to use, offers fast Internet speeds, and makes setting up for streaming easy and time-saving. It also works with virtually any device, including iOS and Android, as well as streaming devices such as Amazon Fire TV Stick and Apple TV. In addition, it is also compatible with gaming consoles such as PlayStation 4 and Xbox One.

"Annette" is available on Amazon Prime Video.

It was released on Friday, August 20 at 12:00 a.m. ET. It is also in limited release in theaters.

Moviegoers in the UK and Ireland can see "Annette" in theaters starting September 3. After a short time, it will be available for streaming on Mubi.

The trailer for "Annette" begins with Adam Driver on stage at a stand-up show in a bathrobe. He recounts his encounter with Anne. What I see in her is obvious," he says. What she sees in me is a little more puzzling. It's a little more puzzling."

The rest of the trailer shows flashes of their passionate relationship, but ominous events seem to await them.

Reviews of "Annette" have been mixed, with many film critics praising the film's imagination and vitality, while others feel that its execution does not match its premise. The following is a summary of the reviews of "Annette":

"'Annette' is a masterful manipulation of paradoxes. It is a very cerebral and formally complex film about unbridled emotion. A work of art motivated by skepticism about where art comes from and why we value it the way we do. A fantastical film that attacks our culture's most cherished fantasies. Totally unrealistic and totally truthful. - A.O. Scott, The New York Times

"This is not a film for everyone. Even Carax enthusiasts will agree that it is indulgent, that the themes are too big (the story is cool, but not really what it's about), and that it is 20 minutes too long. But a film as original and irreverent as this is a near endangered species in the show business ecosystem of 2021." - Dana Stevens, Slate

". 'Annette' is not the film I wanted, nor is it the film I didn't know I wanted. It's gorgeous to watch, but too super organized to be genuinely moving. I keep believing that I would like it more if I thought about it more, but it's time to give up. Annette is a gorgeous looking and often inventive film, but not a great one." - Stephanie Zacharek, Time

"It's an extravagant, emotional rock opera that mixes comedy and tragedy, showbiz satire and doomed romance. If you don't fit its bizarre wavelength, you may not fit it at all. But every moment, in its unprecedented audacity, I found myself appreciating the film for what it is." - Justin Chang, NPR

". Annette sweats terribly in its attempts to shock, titillate, and confuse. There is little substance and a lot of nervous structure. Driver and Cotillard's committed performances are superb, and the film is at times dizzyingly surreal and uplifting with loud musical numbers. Not often enough, though. - Richard Lawson, Vanity Fair